Malibu Christmas Mitzvah

“Malibu Christmas Mitzvah” is an annual concert put on by local businesses to celebrate the holiday season. This year the concert has adopted a “Wizard of Oz” theme, and so the barbershop quartet I perform with will be dressing up like Malibu Munchkins.

Tonight, as I was leaving the office for dress rehearsal, the phone rang.

“It’s an emergency,” said my receptionist, Delphinia. “They need you to go to their house.”

I was happy to help but, in my red satin lederhosen with embroidered bib and candy cane leggings with glittering orange booties, I wasn't dressed for house calls. Delphinia had even found a yellow beanie with a propeller and had epoxied it to my head. Now all I needed was a spray tan.

“Emergency,” she said, handing me the phone. “You’d better take it.” It was the wife of a film distribution CEO.

“Charles,” said the woman, “I’m worried about Harry. He lost a contract with one of the major studios today and he’s so miserable I’m afraid he’s going to hurt himself. We’re having a birthday party tonight at the house for my little girl but now, suddenly, we’re in crisis mode. Can you get over here right away?”

“Delphinia,” I said, “pack up the car. We’re working overtime.”

I figured if I took a slight detour to the CEO’s house in Bel Air, I wouldn’t be too noticeably late for tonight’s rehearsal. But I wasn’t going to change my costume for this patient or tear the beanie from my head, only to re-glue it a half hour later. I’d show up as-is.

We pulled through some tall iron gates and up a curved driveway. A security man in black livery ushered us to the front door and rang the bell. A girl in her early twenties answered.

“Hello,” I said.

She looked me up and down and took a slurp of her mojito. “Mom,” she shouted over her shoulder, “did you order a Teletubby?”

“No, darling,” came a woman’s voice. “I ordered Yogi Bear.”

“Well, you better come look at this!”

A slender, middle-aged woman in a black cashmere sweater appeared at the door. She gave me a confused look.

“Hello,” I said.

“What took so long?” she said. “Come on in. You're not what I ordered. Can you at least do balloon animals?”

“I can do a giraffe and a peacock and Telly Savalas,” I said. “But how is that going to help your husband?”

“Oh my goodness” said the woman, “we assumed you were the entertainment. He was supposed to be here twenty minutes ago and the kids are getting impatient. Won’t you come in? Excuse me but somehow I expected you’d be wearing scrubs. My husband is upstairs, second door on the left.”

Delphinia and I found our way upstairs to a vast bedroom where an unshaven man in striped pajamas was curled up on a chair in a corner. He lifted his head and stared at my beanie with lifeless eyes.

“Howdy,” I said. “I understand somebody’s in a bad mood. I’m here to help you reclaim the joy of living. But first, I’ll run to my car since I forgot my doctor’s bag. My assistant will take your vitals.”

As I stepped out into the hallway, I heard the man say, “What’s he doing in that getup?”

“Who, him?” said Delphinia. “What getup? He always dresses that way!”

“Is that true?” said the CEO. “He tho thilly! Da funny wittle man always dwesses dat way?”

“Yeth,” she said. “Can you be-weeve it?”

“He tho thilly, he makthe me wanna waff and waff!” he said.

“Oh my god! Me waff-ee too!” And they both giggled hysterically.

I stepped back into the room. “What’s so funny in here?” I said. They tossed me a casual glance.

“Excuse me, Boss?” said Delphinia, taking the man’s wrist in her hands. She gazed at her watch to gauge his pulse and said, “I have no idea what you’re talking about, Boss. Pulse seems OK. Weren’t you going to get your bag from the car?”

“Yes,” I said, and stepped out into the hallway. And as I did, I heard the man say, in a high-pitched voice:

“He going to get hith bag o’ twicks! Yipeee!”

“Hooway!” said Delphinia. I could hear the coins jingling as she jumped up and down. “Da man in the wed shorty pants is gonna make a bawoon aminal!”

“Is he weally? Do you pwomith?” he squealed.

“Oh my God, me waff so hard, me make a pee-pee!”

And they laughed hysterically until the second I poked my head in the door. “I heard that!”

“Heard what?” said the man. “Are you sure you’re alright, Charles? You seem to be hearing voices.”

“Right,” I said. “Hearing voices.” I was getting pretty steamed by this time and I turned and walked out the door.

“He a thcream!” Delphinia shrieked.

“He hearing voy-thes!” said the CEO. “Boo!”

I spun on my heel and poked my head in the door, catching them in mid-LOLcat. “Aha!” I said. “It looks like everybody’s doing just fine here. Sounds like nobody really needs my help after all. They can ask for it all they want, but maybe I don’t feel like giving it, so maybe I’m going to leave. Good-bye!”

I stomped downstairs, angry that I had wasted an hour of my time and was now late for my rehearsal. The CEO’s wife was standing in the foyer, nervously wringing her hands.

“That was quick,” she said. “How is he?”

“Obnoxious.”

“Thank God,” she said. “You're a miracle worker!”

“I’ll send you the bill.”

Panicky Producer Disses Pitches

My receptionist Delphinia is a drama major at Santa Monica College and--if you ask her--the next Sarah Bernhardt. I wouldn’t know. I don’t recall her getting a Tony for her work in the Tierra Del Fuego Dinner Theatre production of “Planet of the Apes,” but who can say? It might have gotten lost in the mail.

She does, however, have a talent for spotting any and every celebrity who walks in the door. The way I see it, my patients are all equal, they’re all “God’s children,” as the saying goes. But Delphinia practically sounds an air raid, as she did today, whenever a high-profile patient books a session.

“Charles, this guy is a huge producer,” said Delphinia, applying a fresh coat of cyan to her lips. “I've been taking a class on pitching TV and movie projects to producers and I can't wait to try out some of my new ideas!”

“You took a class in that?” I said. “You wasted your parents’ money.”

“What?” she said, sipping her pineapple boba.

“Sweetheart, everybody knows if you want to pitch a movie, all you do is this: name two previous movies and connect them with the word, 'meets.'”

“That’s it?” she said.

“Simple as that. It's all anybody ever does, take it from me. Of course, it's best if you can do it over lunch at the Four Seasons, but the important thing is, do it. Then just sit back and wait for the dough to roll in.”

“Really?” she said. Delphinia is a sweet girl but so horribly uninformed that I sometimes worry about her surviving in this jungle.

“Now would you please go get some fresh linens from the closet?” I said. “Let's have this place looking sharp. Producers are very picky." As she stepped into the closet, the door locked shut behind her.

“Hey, what happened?” Delphinia's muffled call.

“I don't know,” I said, jiggling the handle. “I can't seem to get the door to open. I'll go look for the key.” I couldn’t allow Delphinia to harass our new patient and so I wasn’t completely disappointed when the door locked quite accidentally.

Just then our new patient, a tall, thin man in a tweed sport coat, strode into the office. I cupped my hands to the closet door and whispered, “He's here!”

“Get me out!” said Delphinia. “I've got to talk to that guy!”

I waved the man in. “Hello, we've been expecting you. Sit down. What can I help you with?”

“I think I’ve got an anxiety disorder,” he said, rubbing his narrow forehead. “I don’t want to take drugs and I heard acupuncture might help. Only, I’m terrified of needles!”

“Don’t worry,” I said, putting my hand on his shoulder. “Just think of this experience as ‘Monk’ meets ‘Marcus Welby.’”

“Uh, what?” he said, tilting his head. “Do you think you can help me? As I was walking around the lot today I got one of these panic attacks where my pulse races and my head feels like it’s been hit by an atom bomb and--”

“Are these headaches like 'Pearl Harbor' meets 'Armageddon'?” I said. “Or more like 'Hellraiser' meets 'The Head That Wouldn't Die'?”

“Like what?” he said. “I don't get you.”

He seemed confused by my subtle infusion of pitches into the conversation. But since success is ninety per cent persistence and ten per cent inspiration, I marched onward. “What I'm saying,” I explained, “is that you must have been walking around the lot today with your head feeling like 'Saw' meets 'Grindhouse.'”

He gave me an irritated look and said, “Look, I don't know what you're talking about but I'd sure appreciate it if you could relieve my anxiety and these headaches!”

“I'll be happy to,” I said. “But did any of these pitches sound good to you? I mean, you are a producer, after all.”

“I'm a what?” he said. “Where'd you get that idea?”

“Of course you are,” I said. “You were telling me about how you walked around the lot today.”

The man laughed. “The lot? The car lot! I sell new and pre-owned Ferraris.”

“I knew that!” I said, hiding my disappointment.

“But I can tell you this: your pitches sound stale and uninspired. And your references are not quite out of fashion enough to be back in fashion.”

“Thank you,” I said. “It’s always good to get helpful criticism from a professional. What was it you do again? Sell used cars?” I made a mental note to myself: have Delphinia tape up the ‘It’s Nice to be Nice’ poster where patients have to stare at it. “Now,” I said, “if you'll wait here just a moment, my assistant will come help you with your paperwork and we'll start your treatment.”

Just then I put my hand in my pocket and happened to find the key to the linen closet. Stepping into the hall, I unlocked the door.

“Thanks, boss!” said Delphinia, panting and hoofing. “Where is he? Lemme at him!”

“He's waiting for you in my office. Good luck with your pitch; he's pretending to be a car salesman.”

“Oh my god!” she laughed skipping down the hall. “I’ll call you when we’re ready.”

A Halloween Birth in Hollywood

When you’ve got a kid as uniquely talented in the Dramatic Arts as my little Meryl, you’d rather poke your eye out than disappoint her in any way. That’s why I felt so guilty Sunday night when I was forced to cancel Halloween. I had promised to take Meryl Trick-or-Treating in our neighborhood (she had worked very hard on her Joan of Arc costume), but as I was closing up the clinic for the day, a high-profile director who would sue me if I told you his name called me in a panic.

“Charles,” he said, “my wife is in labor! She’s in terrible pain. Can you get over here right away and give her some acupuncture anesthesia? We’ve got a suite at the Beverly Wilshire.”

“Take her to a hospital,” I said.

“We’re doing it right here,” he said. “She insists on natural childbirth. We’ve got a midwife and a women’s chanting circle and some stoned-looking monks and you-name-it. It’s a damned circus but it’s what she wants. My poor Jewish mother is fit to be tied.”

I jumped in the car and was about to call little Meryl to cancel our outing when my phone rang. It was Commando, the über-agent, calling.

“Chuck,” she said, “what’s your kid up to tonight? Are you taking her out? Let me do it for you. I’ve been trying to corner some elusive talent on the West Side and I’m thinking maybe your daughter could be my conduit.”

“What are you talking about?” I said.

“Look, here’s the plan: the kid rings the bell at some carefully chosen homes, then she does her little Trick-or-Treat thing and if Downey or Ansari answers the door, I step out from behind a bush and flash ’em a big smile. Next thing you know, they’re my clients. Kaboom! And the kid gets her Goobers.”

It sounded like a mutually beneficial arrangement to me, although I'm not sure I'd accept Halloween candy from Robert Downey. And so, as I pulled up to the hotel I gave the valet my keys, and the über-agent my blessing. In the elevator it occurred to me that the Universe takes care of you if you take care of It. Then it occurred to me that that didn’t make any sense.

“Thank God you’re here!” said the director, pulling me into the plush Governor Suite.

Seated around the room were a half dozen monks in saffron robes blowing rhythmically into curving, six-foot horns, filling the room with a deep, sonorous hum. The director whisked me into the adjoining room where a pale, athletic woman with flowing hair lay in bed, sweating and cursing while a group of frowsy, bra-less matrons in madras skirts chanted and clapped their finger cymbals. In the corner, a seventyish lady wearing a black, size-six cocktail dress and small, tight frown was watching “QVC.”

“Hurry Charles, please!” said the director. “My wife’s been screaming like this for the past hour.”

“How do you do,” I said, extending my hand to the sweaty, wild-eyed woman.

“Stop this pain!” she hollered, tearing a button off my shirt.

“Certainly,” I said. But as I was about to stick a needle in her outer ear, the baby poked its head from between her pale thighs. The chanting grew manic as one of the frowsy women--the midwife--stepped forward to assist with the delivery. Suddenly the lady in the black dress jumped up, shoving an elbow into the midwife’s rib.

“Outta my way, you beatnik” she croaked. “That’s my grandchild in there. Go back to your voo-doo! Okay sweetheart, push! You hear me? Push, push!”

The director’s wife pushed and howled and pushed some more and when the birth was complete, the lady in the black dress held the baby up like she had just won it bowling. Everybody in the suite crowded around the bed and clapped.

“It’s a boy,” said the little lady. “Thank God. My prayers have been answered. Now everybody take your incense and go home, and don’t steal the ash trays!”

On my way home I realized it wasn’t quite six o’clock. If I hurried, I could still take Meryl out for Trick-or-Treats. As stop signs flew by and yellow lights blurred in my rear view mirror, I thought about the doting director and his wild-eyed wife. I thought about how a good Jewish boy and a nutty New Age girl had found a cultural common ground in the love they shared and how--together--they had brought new life into the world. And it occurred to me the Universe really does take care of you if you take care of…hey, how long has that cop car been on my tail?