I may not be a psychotherapist, but I like to cure my patients’ psychoses whenever the opportunity arises. And I don’t do too badly for “winging it!”
This morning, I was stopped at the parking level entrance to my office, honking and flashing my lights at the red BMW in front of me. The driver had waited ‘til he drove all the way up to the ticket dispenser before he rolled down his window and stuck out his hand. Everybody knows you’re supposed to drive up with your hand already out the window, as it’s more efficient. Well, I was honking and flashing my lights and gunning my engine and yelling, “I’m late for my ten o’clock patient, you goon! Get out of my way!”
The driver stuck his head out the window, looked back at me and smiled a boyish smile. “Oh hello, Charles!”he called.
It was my 10 o’clock patient, an award-winning actor. “Hello Timothy,”I said. “How are you today? Think it’ll rain?”
“Golly,”he peeped, with a sideways tilt of his small, round head. “I sure hope not! I get awfully depressed when it rains. Why do you suppose that is?”
“Lot’s of people are like that, Timothy,”I said. “It’s your reaction to a shift in barometric pressure and it affects your brain chemistry. Don't worry about it.”
“Really?”he smiled hopefully.
“Yes,”I said. “Although you do have a tendency toward moodiness, so maybe it’s something we need to look at. It might have to do with the time your uncle fondled you and…”
A battered, old U-Haul exited from the opposite side of the gate, revving its motor loudly. Timothy looked at me, cupping his hand to his ear, as if to say, “Huh?”
I shouted louder this time, “It might have to do with the time your uncle fondled you! How’s the filming going on your new movie?” Four women carrying Clinique shopping bags stopped and gawked. “Move on, ladies!”I added, like the fierce protector that I am. “This is a private conversation!”
“It’s going just great, Charles!” Timothy called, as the U-Haul creaked away. “The director has no idea I’m sleeping with his wife!”
“That’s excellent!”I said proudly. I had realized early on that I could help Timothy by encouraging his self-exploration, and now he was making good progress. Two more ladies passed by with Clinique bags stuffed full of goodies. “And how’s the bed wetting, Timothy?”I said.
One woman mouthed these words to the other: “He wets his bed?!”
“Keep moving, ladies!”I shouted, leaning out the window and waving my hands.
Timothy’s eyes brightened and he craned his neck. “Oh my God, I forgot to tell you, I've almost completely stopped wetting! Those electroshock treatments you sent me for, they seem to be kicking in! I wasn’t so sure at first!”
“Excellent,”I said. Was there a sale at the Clinique counter that I didn’t know about? Three more women passed by with shopping bags ready to burst.
Timothy’s face darkened. “The only problem is, I get ringing in my ears and sometimes I forget where I am. And I’m having trouble remembering my lines.”
I waved reassuringly. “Don’t worry, dear boy. That’ll pass. It affects everybody differently. By the way, who is the President of the United States?”
He paused for a moment. “Gosh, I ... I ... I don’t remember!”
“Well,”I called, “I want you to think about it and tell me, the next time you come for your session. That’s your homework. I believe that just about covers it for today, Timothy!”
He smiled brightly. “Boy, we covered a lot, didn’t we?” he said.
“Yes we did,”I said. “Now pull that ticket from the machine, OK? Do a U-turn and then drive out, and they won’t charge you when you leave. I’ll see you next week at the same time.”
“But I wanted to ask you---”he started.
“That’s all we should work on today, “I said. “I don’t want to overload you.”Besides, there was obviously a sale going on at the Clinique counter and I had 40 minutes to check it out before my next patient showed up. I was almost completely out of T-Zone Shine Control. Who knew when it would go on sale again?
“Huh? Well OK, Charles. I’ll see you next week. Bye bye! And thank you!”Timothy drove off.
“Be good, be well, be safe!”I said. I’ve been trying out different send-offs and I kind of like that one. It seems to cover it all!
Showing posts with label Emmys. Show all posts
Showing posts with label Emmys. Show all posts
Friday, January 7, 2011
Wednesday, December 22, 2010
Writers: The Scourge of Hollywood!
If I told you his name I’d probably wake up to find a horse’s head in my bed. But I think it’s safe to tell you he’s a major Studio Exec in his fifties with a craggy, deeply tanned face and poofy, oddly scissored hair, who hops around with aimless, vaguely malevolent agitation, like an organ grinder’s monkey. Whether or not you recognize his mug, you recognize his movies.
Studio Exec lay down on the treatment table today, huffing and fidgeting. I’ve been helping him with “potency issues,” and I figured, by his flushed cheeks and sparkling eyes, we were getting results.
Man, I feel great!” he said, kicking off his mahogany New & Lingwood loafers and sending his gaze my way.
“Excellent,” I said, unwrapping some needles. “I’m glad to hear it.”
“Anybody wants to screw with me, watch out!” he said. “I just came from a meeting with our writers. Those dummies have no idea who they’re dealing with. Ha!” It sounded like Studio Exec’s potency issues were being resolved.
“Ya know, Silverman’s got the right idea,” he continued. “Silverman’s brilliant, everybody knows that. Demanding that the writers deliver on time is a good move. But we’re going one step further. We’re cutting the damn writers out of production after the first step. Brilliant, huh?”
“I didn’t even know Sarah Silverman uses writers,” I said. “I thought she just channels her act.”
Studio Exec gave me a pained look--and not because my needles hurt (I use a very gentle technique.) “Sarah Silverman?” he said. “I’m talking about Greg Silverman!”
I must have given him a blank look because he added: “Greg Silverman! VP at Warner!” As if that meant anything to me. I continued with my treatment and he continued with his rant. As soon as the needles had all found their places he’d calm down. I’d see to it.
“Here’s the deal,” he said, clasping his hands over his flat-as-a-dish belly and gazing at the ceiling. “Silverman is demanding the writers turn in their rewrites on time, or else! That’s just the way it’s going to be, like it or not. New world order. That‘s OK, but we’re going one step further! After first-draft we don’t need the writer anymore. We’re outsourcing to India, see? Schools like Digital Academy and FTII are setting loose a thousand hungry grads every half hour, and boy can those kids crank it out! They write just as good as our own spoiled, pansy-ass writers, only faster. Ask any one of those Indian kids and they’ll recite a dozen pages of “Beverly Hills Cop,” One through Five! And number four ain’t even in the can yet! Ha!”
“So you’re feeling more robust,” I said. “Is it fair to say these acupuncture treatments are helping?”
Studio Exec wasn’t done. “Here’s the deal: the local writer sends us the first draft and then we send him back to his lunch shift at The Ivy. Then we go one-on-one with India. Strictly on the down-low, right? We crank it out. Ya know, my wife has been after me to adopt a set of twins from Somali but now I’m thinking India is the way to go. A set of smart, little twins from India! You see where I’m goin’ with this? What do you think I should name 'em?
But before I could suggest “Eternally” and “Grateful,” he was cranking out a snore and slobbering on my sheet.
Studio Exec lay down on the treatment table today, huffing and fidgeting. I’ve been helping him with “potency issues,” and I figured, by his flushed cheeks and sparkling eyes, we were getting results.
Man, I feel great!” he said, kicking off his mahogany New & Lingwood loafers and sending his gaze my way.
“Excellent,” I said, unwrapping some needles. “I’m glad to hear it.”
“Anybody wants to screw with me, watch out!” he said. “I just came from a meeting with our writers. Those dummies have no idea who they’re dealing with. Ha!” It sounded like Studio Exec’s potency issues were being resolved.
“Ya know, Silverman’s got the right idea,” he continued. “Silverman’s brilliant, everybody knows that. Demanding that the writers deliver on time is a good move. But we’re going one step further. We’re cutting the damn writers out of production after the first step. Brilliant, huh?”
“I didn’t even know Sarah Silverman uses writers,” I said. “I thought she just channels her act.”
Studio Exec gave me a pained look--and not because my needles hurt (I use a very gentle technique.) “Sarah Silverman?” he said. “I’m talking about Greg Silverman!”
I must have given him a blank look because he added: “Greg Silverman! VP at Warner!” As if that meant anything to me. I continued with my treatment and he continued with his rant. As soon as the needles had all found their places he’d calm down. I’d see to it.
“Here’s the deal,” he said, clasping his hands over his flat-as-a-dish belly and gazing at the ceiling. “Silverman is demanding the writers turn in their rewrites on time, or else! That’s just the way it’s going to be, like it or not. New world order. That‘s OK, but we’re going one step further! After first-draft we don’t need the writer anymore. We’re outsourcing to India, see? Schools like Digital Academy and FTII are setting loose a thousand hungry grads every half hour, and boy can those kids crank it out! They write just as good as our own spoiled, pansy-ass writers, only faster. Ask any one of those Indian kids and they’ll recite a dozen pages of “Beverly Hills Cop,” One through Five! And number four ain’t even in the can yet! Ha!”
“So you’re feeling more robust,” I said. “Is it fair to say these acupuncture treatments are helping?”
Studio Exec wasn’t done. “Here’s the deal: the local writer sends us the first draft and then we send him back to his lunch shift at The Ivy. Then we go one-on-one with India. Strictly on the down-low, right? We crank it out. Ya know, my wife has been after me to adopt a set of twins from Somali but now I’m thinking India is the way to go. A set of smart, little twins from India! You see where I’m goin’ with this? What do you think I should name 'em?
But before I could suggest “Eternally” and “Grateful,” he was cranking out a snore and slobbering on my sheet.
Thursday, August 26, 2010
File Under: Does Anybody Sleep in L.A.?
Commando never makes an appointment to see me. Instead, she waits until she’s in a crisis, then sends up a flare. “I’m desperate, Charles!” she panted into the phone today. “Four of my clients are up for Emmys and I haven’t got a damn thing to wear. What’ll I do?”
This seemed an odd question for a successful agent to ask an acupuncturist. After all, she almost single-handedly (by her own grandiose estimate) keeps the primetime sit-com slate populated. “Why don’t you check with one of those assistants flitting around your office?” I said. “You’ve got quite a natty little group of go-to’s.”
“What, and give those twinks the upper hand?” she said. “No way!”
She had a point. Well-trounced minions must not be given a reason to feel needed. It disrupts the sacred hierarchy of abuse. How, after all, can you hurl your attributed-to-Brancusi bronze at the person who dressed and coifed you for the Emmys? Unfortunately for Commando, I didn’t have the time or talent for a fashion makeover so I sent her to Saks on Wilshire. I knew she wouldn’t be going onstage at the Nokia so she wouldn’t want to overdress, and Saks could be relied on to keep her from appearing overly off-the-rack.
On my way home from the office (where, by the way, I treated one of Commando’s clients, an chronically insomniac actress on an Emmy-likely sitcom. Does anybody sleep in L.A?), Commando called. “Charles,” she said, “guess what? Problem solved! I found the perfect get-up for the Emmys.”
“You went to Saks?” I said.
“Nope. I got in the car and started driving toward Saks but when I saw those mannequins in the window in those frilly-dilly outfits, I said to myself that ain’t my style. I’m not frilly-dilly. So I kept driving and ended up at the Army surplus.”
“At the what??” I said.
“Everything I needed, right there,” she said.
“You what?” I said. “How could you possibly--what do you mean--are you out of your--” Then I remembered. She didn’t find success by batting her eyelashes and swaying her hips. She leaves that to her assistants--her twinks. She’s Commando. Pretty is for pansies. And so, on Sunday evening, if the camera should swing across the Nokia and you glimpse a square jawed woman with a flattop, wearing a tux jacket and camouflage trousers, pushing people out of the way, don’t be too quick to judge. She populates your primetime viewing. And what she lacks in frilly-dilly she makes up for in Emmys.
*********************************************************************
(Meet Commando: July 12, 2010 entry)
This seemed an odd question for a successful agent to ask an acupuncturist. After all, she almost single-handedly (by her own grandiose estimate) keeps the primetime sit-com slate populated. “Why don’t you check with one of those assistants flitting around your office?” I said. “You’ve got quite a natty little group of go-to’s.”
“What, and give those twinks the upper hand?” she said. “No way!”
She had a point. Well-trounced minions must not be given a reason to feel needed. It disrupts the sacred hierarchy of abuse. How, after all, can you hurl your attributed-to-Brancusi bronze at the person who dressed and coifed you for the Emmys? Unfortunately for Commando, I didn’t have the time or talent for a fashion makeover so I sent her to Saks on Wilshire. I knew she wouldn’t be going onstage at the Nokia so she wouldn’t want to overdress, and Saks could be relied on to keep her from appearing overly off-the-rack.
On my way home from the office (where, by the way, I treated one of Commando’s clients, an chronically insomniac actress on an Emmy-likely sitcom. Does anybody sleep in L.A?), Commando called. “Charles,” she said, “guess what? Problem solved! I found the perfect get-up for the Emmys.”
“You went to Saks?” I said.
“Nope. I got in the car and started driving toward Saks but when I saw those mannequins in the window in those frilly-dilly outfits, I said to myself that ain’t my style. I’m not frilly-dilly. So I kept driving and ended up at the Army surplus.”
“At the what??” I said.
“Everything I needed, right there,” she said.
“You what?” I said. “How could you possibly--what do you mean--are you out of your--” Then I remembered. She didn’t find success by batting her eyelashes and swaying her hips. She leaves that to her assistants--her twinks. She’s Commando. Pretty is for pansies. And so, on Sunday evening, if the camera should swing across the Nokia and you glimpse a square jawed woman with a flattop, wearing a tux jacket and camouflage trousers, pushing people out of the way, don’t be too quick to judge. She populates your primetime viewing. And what she lacks in frilly-dilly she makes up for in Emmys.
*********************************************************************
(Meet Commando: July 12, 2010 entry)
Labels:
Acupuncture,
Acupuncture Los Angeles,
Burbank,
CAA,
Charles Yarborough,
comedy tragedy,
Emmys,
film,
Greg Silverman,
I poke L.A.,
Michael Musto,
Nikki Finke,
William Morris Endeavor
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