Writers: The Scourge of Hollywood!

If I told you his name I’d probably wake up to find a horse’s head in my bed. But I think it’s safe to tell you he’s a major Studio Exec in his fifties with a craggy, deeply tanned face and poofy, oddly scissored hair, who hops around with aimless, vaguely malevolent agitation, like an organ grinder’s monkey. Whether or not you recognize his mug, you recognize his movies.


Studio Exec lay down on the treatment table today, huffing and fidgeting. I’ve been helping him with “potency issues,” and I figured, by his flushed cheeks and sparkling eyes, we were getting results.

Man, I feel great!” he said, kicking off his mahogany New & Lingwood loafers and sending his gaze my way.

“Excellent,” I said, unwrapping some needles. “I’m glad to hear it.”

“Anybody wants to screw with me, watch out!” he said. “I just came from a meeting with our writers. Those dummies have no idea who they’re dealing with. Ha!” It sounded like Studio Exec’s potency issues were being resolved.

“Ya know, Silverman’s got the right idea,” he continued. “Silverman’s brilliant, everybody knows that. Demanding that the writers deliver on time is a good move. But we’re going one step further. We’re cutting the damn writers out of production after the first step. Brilliant, huh?”

“I didn’t even know Sarah Silverman uses writers,” I said. “I thought she just channels her act.”

Studio Exec gave me a pained look--and not because my needles hurt (I use a very gentle technique.) “Sarah Silverman?” he said. “I’m talking about Greg Silverman!”

I must have given him a blank look because he added: “Greg Silverman! VP at Warner!” As if that meant anything to me. I continued with my treatment and he continued with his rant. As soon as the needles had all found their places he’d calm down. I’d see to it.

“Here’s the deal,” he said, clasping his hands over his flat-as-a-dish belly and gazing at the ceiling. “Silverman is demanding the writers turn in their rewrites on time, or else! That’s just the way it’s going to be, like it or not. New world order. That‘s OK, but we’re going one step further! After first-draft we don’t need the writer anymore. We’re outsourcing to India, see? Schools like Digital Academy and FTII are setting loose a thousand hungry grads every half hour, and boy can those kids crank it out! They write just as good as our own spoiled, pansy-ass writers, only faster. Ask any one of those Indian kids and they’ll recite a dozen pages of “Beverly Hills Cop,” One through Five! And number four ain’t even in the can yet! Ha!”

“So you’re feeling more robust,” I said. “Is it fair to say these acupuncture treatments are helping?”

Studio Exec wasn’t done. “Here’s the deal: the local writer sends us the first draft and then we send him back to his lunch shift at The Ivy. Then we go one-on-one with India. Strictly on the down-low, right? We crank it out. Ya know, my wife has been after me to adopt a set of twins from Somali but now I’m thinking India is the way to go. A set of smart, little twins from India! You see where I’m goin’ with this? What do you think I should name 'em?

But before I could suggest “Eternally” and “Grateful,” he was cranking out a snore and slobbering on my sheet.